A$AP Together with other musicians, Rocky, Young Metro, and Pluto J. Cole provide a two-peat performance.
The Atlanta pair Metro Boomin and Future are getting ready for another party as they release their album ‘We Still Don’t Trust You’ in just three weeks following the release of their first album.
On Friday, April 12, Young Metro and Pluto will release their second album, which comprises two discs with a total of 25 new songs, in an attempt to continue their winning trend. J. Cole, A$AP Rocky, and other guests acted out the parts this past weekend.
With ‘We Still Don’t Trust You,’ the rapper-producer duo created waves last month. According to Luminate, the song peaked at number one on the Billboard 200 for the week of March 28 and amassed over a million album-equivalent streams, selling 251,000 sales. Make it happen.
“Totally off-topic, nothing tangible, nothing in bundles—just wonderful music and warm embraces from all of you! Many thanks! After the project peaked at number one, Metro posted, “#WETRUSTYOU #WEDONTTRUSTTHEM.”
Drake and J. Targeted Cole make a special appearance on “Like That,” where Kendrick Lamar makes his rap debut. The song has the most streams of any song in more than a year and peaked at number one on the Billboard Hot 100.
In the week ending March 28, “Like That” sold 9,000 copies and garnered 5.6 million radio airplay, according to Luminate. It also received 59.6 million streaming.
“Hip-hop is alive and #WEDONTTRUSTYOU,” Metro wrote, earning him his first number-one single as a lead artist. Metro used social media to share this knowledge.
shared on Dia. (He reached his height as co-writer and co-producer on The Weeknd’s “Heartless” and Migos’ “Bad and Boujee”).
Since then, the future has slowed down, but the metro has been busy these past few weeks. Fortunately, the St. Louis resident recovered control of his social media accounts after scammers took his identity in late April, even though the super producer’s accounts were compromised.
Metro and Future pulled out the Tesla Cybertruck for the festivities with ‘We Still Don’t Trust You’. View our rankings and the list of all 25 tracks on the album below.”
1 “We still don’t trust you.”
The cinematic title track of the album, “We Still Don’t Trust You,” was released along with Future and Metro Boomin. The scene is set for this hit song with gentle drumming and a sound akin to an EKG heart monitor beeping. Future then reiterates the entrance title just before The Weeknd’s menacing baritone bursts into the complex. When on tour, Abel moves his stadium because the fields are longer in the background. “And the stadium was where I felt at home/I forgot the feeling of the arena show,” he says.
2 “show of hands”
A$AP Rocky making an appearance? With Metro Boomin, Flacko has collaborated widely and found a comfortable space to personalize the ferocious lyrics. On social media, fans went crazy, conjecturing that the vocalist of Mob was joining the roster of rappers targeting Drake.
“N–s in their attitudes about women, what, you’re offended or something / Son, Flaco hit it first, and I broke before you were even born. Don’t trust you yet; it’s always us and never them. I heard you recently dropped an s–t. Funny how time flew by,” raps Rocky.
First of all, considering that Drizzy hasn’t put out a new album since 2018, it’s audacious of Rocky to discount his albums. Second, while some assumed Rocky was referring to Rihanna, it seems he’s talking about his crush on Sophie Brussaux, Drake’s baby mama, whom he allegedly dated in front of six gods. was bound.
3 “all for me”
Metro provides vintage R&B sounds that could have served as the backdrop for pregnancy announcements some decades ago. Future, a Motown artist, is gushing about his romantic partner and singing, but The Weeknd steals the show with a surprise visit. Future and Metro have the Canadian singer on retainer. Though rumors that he was providing a flavor of the month by disliking Drake have eclipsed his spiritual backing.
“When something leaked in their operation, they could never make my brothers angry, baby. I thank God I never compromised my life. And we never did big things. They don’t do it. They make TikTok and shoot us,” he sings.
4 “right 4 you”
Track No. 11, featuring Future and Metro, shifted the Lamborghini into second gear and up the ante. Metro has already acknowledged Kanye West as an influence on his craft, and “Right 4 U” sounds like it was produced by the rapper. Young seems to be playing Metro Taco drums, which Ye originally teased to his followers with the mind-numbing “Love Lockdown” in 2008. R & B Pluto reaches into his suitcase to increase the range of his voice. “The lonely road to the end of our love/I can’t let you go,” he sings.
5 “Red Leather”
This requires a lot of analysis. Alongside Future J. Cole turns over the reins after seven minutes of superb rap. Regretfully, Cole’s cameo will be associated with his guest performance on Pluto’s album, which came less than a week after he apologized to Kendrick Lamar for attacking him on “7 Minute Drill,” which he had put on V. produced as a result of “Don’t Trust You.” in that manner. Approving this appearance is an extremely perplexing move on the chessboard, even if Cole recorded his pacifist stanza prior to Kendrick’s nuclear onslaught. The former CEO of Dreamville has had an unclear week.
6 “Mile High Memories”
Future takes the lead in this pared-down production, venting about gifting a Mile High Club membership to a girl who caught his eye. But he was unaware of how damaging that was.
She wouldn’t want to see another man. In a manner, “Mile High Memories” is a follow-up to the incredible deep cut “Throw Away”. “In the other room, on the phone, you were texting me/As long as you think about me, you can freak out,” Pluto cautions.
7 “jealousy”
An early hit from We Still Don’t Trust You. Future engages in sexual activity with a woman after expressing interest in her.
tries to sweet talk a specific love interest by saying that creating Dha is like being in heaven. R & B Future puts on his cape to come to the rescue. Pluto unleashes his toxins to win her over with a love song after killing the jeweler. He says, “I want to love you, not be controlled. Treat me carefully, I can’t be careless. I get so jealous, maybe I get nervous. I want to keep looking at your body, it tastes like candy.”
8 “a big family”
His “one big family” is made up of Future and his army of ladies. Pluto offers listeners an insight into their world, complete with the fun and tension that accompanies being on a football team with people from all over the world. It does the trick, even though it’s not nearly as good as DMX’s well-known “What These B–Ass Wants”.
9 “Kind”
an unexpected cameo by Ty Dolla $ign, a creative collaborator who has shown himself over the course of his career. With violins and a high-pitched vocal sample, Future takes control of the song. He demonstrates his pop-culture awareness by making a funny allusion to NFL legend Terrell Owens standing up for his quarterback Tony Romo at a news conference. Famously sobbing during. Pluto continued by saying that he wouldn’t cry for any woman.
10 “Come to the party”
Future just has two goals if he’s coming to your party: flaunting his expensive clothes for stylish fit shots and introducing everyone to his new arm candy. Pluto admits that he went too high and forgot about his aunt’s funeral, but he also boasts that “I’m not your ordinary trap” and jumps from lunch by the sea in St. Tropez, demonstrating that he lives on a different frequency.
11 “overload”
Pluto is experiencing a sensory overload. The Atlanta trap sensation, riding the wacky production, says he’s never been hip. For the CEO of Freebandz, it’s just another day at work, whether he’s taking medicines or working out. But his final statement sums up the project’s premise quite nicely. He has faith, “I can say I love you, but I definitely don’t trust you.”
12 “Wonderful (Interlude)”
Future talks about everything he finds “amazing” in life, including girls’ homosexual tendencies, then runs a marathon for the We Still Don’t Trust You interlude. Apparently recorded at Kanye West’s home, this intense track surfaced in 2017 but takes a different turn than 808s and the Heartbreaks’ “Amazing.”
13 “cut off”
Future never gives up even when Metro quickens the tempo and causes some mayhem with its more thrashy production. This mixtape transports listeners back to Pluto’s heyday when he ruled the rap scene.
14 “Nights like this”
When Future starts talking about how much he wants a woman to be with him, he mixes in a sample of Metro Three 6 Mafia’s stripper-focused song “Dancin’ on a Pole” to create a paradox. As. “Nights Like These” is closer to Travis Scott’s “Impossible” than it is to any other song on the album, ending up in the center.
15 “The streets made me a king”
As We Still Don’t Trust You comes to an end, Future returns to the streets and says his upbringing is what made him the monster he is now. Steve Francis, a former NBA player, received his first-ever rap shout-out in a long time. “We haven’t been spoon-fed, we’ve come serving demons/Every time I strike my target, it’s like I’m shooting a beam/Riding a Bentley Presidential, I Gonna give N—her wings/The street made me king,” he says with the crown.”
16 “this Sunday”
“This Sunday” was actually recorded in 2015 and leaked shortly thereafter, according to Genius. Drake included portions of Future’s overly sweet melody to his Views hit song “Feel No Ways,” which features Pluto listed as a co-writer. There’s a rare advantage that the 6 Gods sequel has over the first.
17 “beat it”
This isn’t a line from the identically named Michael Jackson song. Future tells a certain girl to get off the road because he is sick of her being around. Some fans were hopeful that Kendrick Lamar would make a comeback as The Undertaker at WrestleMania XL, and the foreboding production is the ideal setting for a guest appearance.
18 “Love Bad B—–s”
A quiet tune centered around a sample of Brownstone’s Grammy-nominated song “If You Love Me” makes an impression on Metro. Future creates a catchy chorus by expressing his love for “bad b–s” but also his affection for good ones. He reverts to his poisonous romantic behavior. “Let’s get so drunk we forget to f–k/ I need an excuse to wake up next to you/ Let’s do some X so we can feel the love,” proposes the future.
19 “Drink N Dance”
Future uses Chris Brown ad-libs to further accentuate his slick chorus, which expresses a woman’s willingness to go in for more rounds. Pluto presents an opulent lifestyle that most people find unattainable, complete with foreign bank accounts and a marble-floored ink sofa. Future exclaims, “We’re in Abu Dhabi/Foreign girls bringing more foreign girls/I’m having a little party,” enjoying the rivalry.
20 “Out of my hands”
Metro never misses a beat, and the beautiful sound of “Out of My Hands” elevates Pluto’s lyrics to a whole new level. When he becomes involved with the mob in the future, he disarms a rival who makes threats to have sex with his sister and treats her like a prostitute. He raps menacingly, “Hold your pistol, n–a, I fuck your sister, n–a, treat her like a whore, n–a.”
21 “Always be my fault”
Pluto is working on enabling Young Metro to manufacture any kind of goods in the future. Like a quarterback tossing the ball to a specific location knowing his receiver would be there, their relationship is instinctive. “Always Be My Fault” has gloomy synths and distortion from Future that provide a somber tone. The Weeknd then uses his voice to go into his rapping career with lines like “Played with my heart like a cello/You’re falsetto.”I told you this song is like an opera to me / Oh, I’ll turn your love into a tragedy / I made you cry, chopped you up like a giallo.” Rap-Sing.
22 “No one knows my struggle”
On the second disc, Young Metro and Future have a significant victory. After showing off his extravagant excursions across the globe and baseball lineup of ladies for an hour, Future stops whining about his difficulties in a way that no one can understand. Pluto speaks three languages (Spanish, English, and Arabic) to convey his world travels, but he becomes a little slack when he jokes cheekily about having diabetes, saying, “I’ll shoot you myself like you Got diabetes!”
23 “All my life”
To Turks & Caicos, it was never only omakase and G5 jets. This re-enters the trap for Future fans, reminding them of their time spent living in the slums and the risks associated with it. Everybody who lives in the Big Apple will be able to relate to its distinctive NYC flex: “I’m selling out of Madison Square, you’re selling out of Barclays [Center]!” Lil Baby is a bland underscoring that blends in perfectly with the expansive record.
24 “Crazy Customer”
Future discusses his accomplishments, which include serving the Grammy and receiving a Grammy Award, without holding back when discussing his history as a drug dealer. His attention to detail is impressive, and the sound effects from the subway seem to be taking the audience to a thrilling movie scene, where the cops are narrating a drug bust with nervousness.
25 “#1. Introduction”
Charlamagne’s second flower disc introduced God Giving Future. He said that his style with rappers outside of the radio personality booth and in the flashy radio personality booth was inspired by Pluto. Contrary to popular belief, this intro cannot be compared to the songs themselves.
